Happy new year, everyone! Hope you are all doing well and had a nice Christmas with a few days off. I had a great time visiting friends and family, and I'm very thankful as to how the year ended. I have made a list of wishes and good ideas for next year, hope I'll stick to 'm. I want to thank all of you watchers and webcomic readers too for making 2010 such a great year!
Darkwing Duck: The Duck Knight ReturnsWhen I was at my parent's place yesterday, the
Darkwing Duck comic I had waited for since a few weeks had finally arrived. And because I'm so completely, utterly in love with it right now, I want to devote this journal entry to it a wee bit. The first TP, the Duck Knight Returns, is a great reboot of a hero many of us grew up with. Darkwing stopped fighting crime after the government instituted robots to keep the town under tight surveillance (sound familiar? To anyone who read the pocket Heroes and Villains of OpenMinded, it should). Anyway, turns out there's a lot of deep drama involved that actually forced Darkwing to stop, that makes his character seem pretty damn grim, and also raises vital issues about what being a superhero is all about. (Spoiler: When Negaduck finds out Dark is actually Drake, he nearly kills him, Gosalyn and Launchpad in their own house.) Still, when the Fearsome Five reunite (the four main villains of the series) Dark quites his office job and takes up his job again.
Throughout the comic there's intertext everywhere. Great references to the series - those who have the DVD boxes or watch the series on YouTube will drool - as well as Ducktales, Rescue Rangers and whatnot. This is intertext at its best. Characterwise, I was surprised. There was more development in the characters than in the entire series combined. There's twists that include Gizmoduck and Quagerjack's doll. Gosalyn suddenly has a personality beyond being annoying. Launchpad immediately becomes more than a henchmen. He gets power. There's overlap with Ducktales that's beyond happy-making. And don't get me started about the main villain. I will not spoil but damn, this is góód.
I've also read through the latest issues of the new story arc, and I wept a bit while reading them. The biggest problem I had with Duck Knight was that it never mentioned Morgana. Not once. The new issues explain this though and devote four issues to this - an arc that was probably planned in advance, but there was a big chance that if the first issues didn't go well, the whole project would be cancelled, and that would have left readers like me who fangirl Morg hard-core. Anyway, the new issues are super great and also feature my surpreme geek fantasy, one that I had ever since I was eight, a
Morgana-Magica de Spell face-off. And man, it's great. As a shipper, I was really struck by some things the comic already mentioned pretty early, like minor remarks about Morgana/Dark and why they live apart and so on. It also features Morgana actually discussing serious stuff with Drake, which is nice, because in the series you only saw her with Dark. And that kinda made you wonder: 'Is this the kind of Superman/Lois thing or does she know about his actual identity?'
So having this book in your hands, it makes you think a bit about what the cartoon was, and what it stands for now. It's like Darkwing Duck grew up with us. It's not the old cartoon that episodes with unclear pacing, weird plot lines, or was pure bliss for five minutes of hero-themed acttion, and tean 15 minutes of whack animation and slapstick. No, this is like the 10 best episodes of Darkwing Duck combined and then targeted at
adults. The comic features a zillion brilliant moves; the kind of stuff I always hoped the series would have, but that never came through because it, you know, was a Saturday morning cartoon. And now, it's a graphic novel. And it's kicking ass. It's still very Disney, I should probably mentioned that, it never gets really gruesome or weird, but you can definitely see it's targets a somewhat older Disney-savvy audience.
Now why do I care so much about this? Because Darkwing Duck has, and always will be, one of my favourite cartoons. Like
Hey! Arnold it mean the world to me, and like
Hey! Arnold, the show never really got the fleshed-out ending it deserved. Reading this changed the entire canon that I had in mind for years, and I like it. This is good stuff. This is what it must have felt like to get Dr. Who back on the air after a super long hiatus and seeing a new canon that kicks ass. This is what the new Star Trek movie felt like as a fan experience, only it kicks ass so much harder because no one really expected to see Darkwing back after 20 years. It's the start of 2011 and Lords of Kobol, I am
thankful and inspired.
More Disney musingsTangled was the best Disney movie I've seen in a long time. Very catchy, very well-written, good jokes, great characters, nice songs. I was positively surprised, especially after
The Princess and The Frog, which, after rewatching it, turned out to be even worse than I remembered it. Disney's finally making a come-back, but I really hope they'll keep at it, and more importantly, start innovating a bit.
Tangled is a start of that, but it's still the old Disney formula freshed up. It has extremely lovable characters, but it's still caught in familiar frameworks.
Tangled,
The Emperor's New Groove, and maybe games like Epic Mickey, are very good, somewhat recent takes on the Disney's regular formulas, but still, I feel they could push it a bit more. Maybe
Tangled is the start of what Disney movies in the new Millennium can be.
In my opinion, the nineties were the golden time of Disney in both series, games, as well as merchandise. Simply imitating that in movies like
The Princess and the Frog just doesn't cut it anymore. Disney can, and should be self-concious, not just in terms of narrativity (be a bit self-referential and clever like Kuzco, Mickey and dare-I-say-it-Boom!Studios-Darkwing-Duck's-graphic novels)) but take it up a nodge; dare to portray the characters a bit differently. After all, that's what made
Kingdom Hearts and
Epic Mickey such great games, and taking that spin just a bit further means striking gold. That's what old, nostalgic fans like me want; an extension, a twist, with the old familiar content. Daring to actually show the dark side of Mickey and portray him all steampunky (which Epic Mickey, in the end, didn't do despite the concept art) is one example of that. Boom Studio cleverly reworked Darkwing and freshened him up. Why can't we have more of this nowadays?
The nineties worked for Disney not just because the movies were clever, but also because they took it a step further with the cartoons. Placing Goofy in an awkward position by making him raise a son in Goof Troop, that's pure gold. In the same way, Darkwing Duck was innovative, by tapping into the old Ducktales stories, and changing them into a superhero narrative with a lot of potential that also included interesting family relations. I feel like Disney has lost some ties with its characters and franchise though. What I hope for 2011 and beyond, is that Disney keeps at it, and renews a bit. Adapt. And not in lousy full-lenght sequels no one wants to eye, no, in quality projects. After all, that's what building story worlds is all about. Making characters and texts that stick with us.
Today's shipMorgana and Dark, obviously.
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